He is a true disciple of the guitar and having honed his chops from a jazz foundation, his prowess on the instrument is one to be reckoned with. Unfortunately, as is the case with practically all studio musicians, he and his peers are known only by their face-less voice via home stereos, radios, television, etc., and the occasional live performance.

There have been several exceptions, however. Lee Ritenour and Larry Carlton, two young studio denizens of the '70's, have created successful careers as independent commercial artists. Therefore, like any other John Q. Public, I knew Michael auditorily as a portion of a popular TV show or movie.

I first met Michael Anthony at Our Lady of Lourdes Church in Northridge, California on November 15, 1997. Along with 30 other guitarists, we were to be part of the special music arranged for the memorial service in honor of studio great Tommy Tedesco. Needless to say, it was a monumental day in my life.

Later, I became acquainted with some of his original recordings and immediately realized the scope of his facility. Firstly, he is not a timid player. When Michael Anthony breaks out of the gate, he plays to win. His solo acoustic pieces convey a very live presence. A robust, full tone and attack sing while capturing nuances and dynamics. His playing breathes. Just as the chameleon changes color to blend in with its surroundings, on the electric, Michael makes intelligent use of its advantages, applying many textures and tonal colors. His incredible technique on both instruments allows him to play blistering lines and subtle passages that are both beautiful sounding and musically appropriate.